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Pentax K-7 Price

The Pentax brand brings to mind a lot of memories for many photographers, enthusiasts or semi-pro, who began with a K1000, KM, Spotmatic, or ME Super. Pentax’s market position is not as well established as the company was during the heyday of 35mm film. But Pentax remains popular to many photographers.

Now, we have the Pentax K-7, the company’s newest enthusiast/semi-pro level DSLR. This attractive DSLR camera’s pared down and sleek elegance is a replacement for the Pentax K20D’s rather plump utilitarianism. Pentax K-7 price: $1,299.95.

Continue reading for the Pentax K-7 review.

A lot of photographers, I bet, will include this latest baby from Pentax in their wish list. Here are some of the highlights of this DSLR: 720p/1080i HD video recording, smaller steel/magnesium alloy body, updated sensor with four-channel readout, and 3-inch VGA (920,000 dot) LCD screen.

The camera also has a revised viewfinder (greater coverage but less magnified) and a new shutter mechanism with 1/8000th shutter speed. The DSLR also sports and AF illumination lamp and a much faster continuous shooting of up to 5.3 frames per second. What is more, this camera features 77 segment exposure metering sensor and a new dust removal system.

These are just some of the big stuff; the implications of these changes are almost as significant as the apparent effects of these changes. This DSLR camera now has faster videos and frame rates. In addition, the improved 4-channel sensor yields less noise than the Pentax K20D version.

What is more, there are also many more restrained additions and upgrades that show just how basic a change the Pentax K-7 is from its ancestors. It has an improved ISO button, three-shot built-in HDR capture, and distortion and chromatic and aberration correction for DA and DFA also found in RAW conversion. It is a great idea to buy Pentax K-7.

It also has a shadow correction that you can fiddle with as well as a dynamic range highlight. About composition adjustment, the camera uses the SR system to change the sensor position and to adjust the composition. However you look at this baby, it is a well-specified DSLR.

Model Posing: Basics of Glamour Photography Models

The head is usually an integral focal point in a shot.  Photographers spend a great deal of time getting just the right tilt or chin drop from their posing model.  The position of the head, be it a tilt of the head or a drop of the chin, can convey beauty, character and expression.  

There is some controversy surrounding the shoot and how it is handled regarding model posing.  Some photographers prefer to allow the model freedom to move as she wishes to get more candid shots.  Other photographers prefer to pose their models and control the shoot by directing the model in every pose she makes.  Some photographers would never even entertain the thought of directing their models,  feeling that that level of control would undermine the integrity of the shot.  They feel that it would destroy the natural feel and spontaneity of the shot.

On the other hand, other photographers subscribe to the belief system that directing a model so that her poses are precise and planned is more efficient and effective because there are fewer wasted frames and more good shots.

No matter how the shoot proceeds, when both the photographer and the female model have a solid working knowledge of posing technique, then it really does not matter if the shoot is controlled, candid or a combination of the two.  Of course, this can vary from model to model and from assignment to assignment.

Experienced photographers have many tricks and techniques for getting their model to act and react realistically in front of the camera.  They have found a way to walk the fine line between controlling the model and giving her the freedom to move and pose, loosing her own creativity.  By using words, verbal instruction, gestures and even giving working examples of the poses, a good photographer can draw from the model, the expression and feel that is his goal.  A supportive approach with clear directions coming from behind the camera can inspire nearly any model to pose and give the photographer what they want from the shot.  She can move from pose to pose without losing the appearance of spontaneity or showing stress.

It is true that a photographer relies heavily on the capabilities, knowledge and skill of the model.  Often, she can even inspire the photographer to create or tweak a shot and to find a great pose or perfect one.

With this in mind, part of the success of the photographer hinges on his ability to keep his model thinking, creating and suggesting ideas within the scope of the project, the set and the props at hand.

Some models, often those who are inexperienced, may do a few head tilts and be at a loss for new, different head positions.  This can frustrate the photographer as well as the model, particularly if the photographer gives the model freedom to move about and pose instead of placing her.  To combat this, try making some suggestions that will reignite her creative inspiration and get her moving again.  Perhaps suggest a particular pose that will allow her to pick up on it and move on from there.

For instance, if she is turned 45 degrees to the right, have her turn to the left and do some head tilts, raise her chin and drop her chin.  This will give another perspective to the shot, particularly if the lighting is strongest to the right because now, with her facing left, you have shadows to play with.  Photos are about the subject, but they are also about so much more.  Have her tilt her head slightly in, toward her body.  This gives a warm feeling or even a sensual feel.  Tilting her head back over her shoulder is more fun, friendly and carefree.  Chin up can be playful, friendly or arrogant while chin down can be seductive or demure.  This is why care should be taken when posing.  The message conveyed through the head tilt hinges on the language that the rest of the body speaks.  Make certain that it is all in sync.

If your model is struggling with head tilts or chin drops, maybe going to far or not far enough, try using your hand to show her what you want.  If you hold up your hand and move it as you want her head to move, she will be inclined to follow your motion by moving her head the same way.   Speak softly and keep your posture non threatening.  You want your model to feel relaxed, not stressed and pressed to perform.

As long as you remain supportive and encouraging with your model, you can get a lot out of her.  Have her combine some head tilts and chin drops by giving her verbal direction and hand gestures.  Have her tilt her head slightly and drop her chin, or tilt her head back and raise her chin for two completely different expressions and moods.

Remember to coax your model into her poses, encouraging her and praising her when she “hits it.”  After all, models are only human and they respond to praise and encouragement.  When you are supportive, she will not only gain confidence, but will also want to please you more and will feel more relaxed.  This is how you will get those great shots.

Model Posing Techniques: Foot Posing

The face of a model posing is her fortune.  Usually, it is the face that most people this of as the most vital part of a good fashion shot.  However, this is not entirely accurate.  Every part of the model, from face to feet, work together to create the clean lines that make up the composition of the shot.  Nothing should detract from the final shot, but a poorly placed foot or an awkwardly cocked ankle can draw the eye, thus ruining a great shot.

The ankle can be a very expressive tool in foot posing.  It acts as that pivot point for the foot, allowing it to roll in and out as well as up and down.  Moving the ankle itself from side to side is a common foot pose.  The best way to view this is from the front where the foot, ankle and leg can be clearly seen.  The starting point for the ankle is in a straight line directly over the toes.  From there, it can “cock” in toward the other foot or “cock” out, away from the other foot.

Photographers and models refer to the movement of the ankle as “rolling.”  When the photographer tells the posing model to roll her ankle in, he means for her to roll it toward her other foot.  When he says to roll it out, he means for her to roll it away from her other foot.  There are many points between the two extremes of the rolled out and in ankle, each bears its own conveyance of attitudes.  The wise model knows, though, that too much of an angle breaks the line and interrupts the flow of the lines of the leg.

The universally ultra feminine foot pose is that of the ankle rolled in, or cocked toward the other foot.  This pose lends a very graceful curve, a nice line that conveys sophistication, elegance and femininity.  The basic foot pose and its modifications are often seen in fashion photography using this technique.  In the basic foot pose, one foot (the cocked foot) is placed slightly in front of the other with the heel of the forward foot placed at the arch of the rear foot.  The rear foot is turned out slightly.  When the right foot leads in this pose, models sometimes call it a “right hemisphere.”  When the left foot leads, it is called a “left hemisphere.”  Modifications of this pose include sliding the front foot forward or to the side a few inches.

When the model keeps the ankle straight, so that the leg posing is directly in line with the foot, she can convey strength, haughtiness and arrogance.  In the fashion world, this is a very strong foot pose and is generally used when the overall feel is less feminine or androgynous.  It may even be considered a masculine pose, but when an overly feminine style is not desired, many female commercial models will employ it.

A rolled out ankle, or ankle that is cocked out, usually lends an air of immaturity.  A casual pose, it is also used quite a bit in high fashion shots when the goal it to achieve a chic or funky impact.  This pose is best done sparingly, though because it is not appropriate for many types of shots.  Depending on the tone of the set, the image you want to convey and the garment you are modeling, you may opt for this foot pose.

The foot is also a strong posing tool in that is moves in an arc, much like a fan.  Ankle and foot placement are integral to a good shot, regardless of whether the model is sitting or standing.  When she is standing, she is usually in the basic fashion pose, a right hemisphere or left hemisphere, where her weight is supported on one foot and the other foot is placed to the front or side.  In a right hemisphere, the right foot is slightly in front of the left foot, with the right heel positioned very close to the left inner arch.  By cocking the ankle at various degrees and moving the right foot forward or to the side, the basic pose can be modified.  A left hemisphere, of course, is simply the left foot placed in the front and the right foot in the rear.  The toes of the forward foot may be angled at various degrees to the body, either straight ahead, to the side slightly or even at a 90 degree angle out.

In modeling, the right hemisphere and left hemisphere are very basic poses, a beginning modeling stance for walking on the catwalk and for other poses.  However, another universally neutral foot position places the feet side by side.  From that position, the toes can be placed in a wide range of angles along the arc, from pointing in to pointing all the way out.  This position, though, is not generally used often in the fashion world.

While the foot has a wide range of motion, allowing it to move 90 degrees in either direction, it is rarely used at the extreme angles.  Most of the time, the foot of a model is slightly fanned out or in the neutral position, pointing straight ahead.

When the toes are pointing inward, the effect is awkward and pigeon toed, usually associated with playfulness, bashfulness and childishness.  It can also indicate inexperience and naivity.

Fanning the foot outward at the extreme angle denotes a casual attitude or lack of sophistication.  A popular teen model pose, it is used to convey a nonchalant attitude or rocker image.

The model must understand how each part of her body works to convey a particular tone, mood or image and how just one misplaced foot or awkwardly cocked ankle can throw off the entire shot.  She should have a very good grasp of posing and controlling the various parts of her body so that the lines she creates are clean and unbroken, which is what the photographers want.

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